
Camille D. answered 09/02/19
Master teacher loves a challenge. Let's learn together!
What an excellent question! Fantastica is born from human imagination, of course, and its denizens and environs depend on human desire to take form. Do What You Wish is the essential command of the Childlike Empress, for without it Fantastica cannot be. We learn from the Gmork that Fantasticans who fall into the Nothing become lies and deceit, twisting the power of imagination for...well, Power itself. Therefore Bastian takes on considerable risk in obeying the Auryn's ambiguous description.
Do What You Wish is a command: create by acting on desire. If Bastian had not wished again and again, Fantastica would never have been reborn. The Golden-Eyed Commander of Wishes orders him, through the Auryn, or give life to all Fantastica. It is her essential and only command, but without it, Fantastica's destruction is assured. Therefore Do What You Wish is less about parsing the distinction between "desire" and "wish" and "want" and more about "DO"--go forth and create!
Do What You Wish is a dare: fulfill your fantasy, without being bound or hemmed in by realistic expectation. How else could a desert and a jungle beget each other night after night, in an endless cycle of death and rebirth? How else could acidic tears create a painfully beautiful city of silver filigree? If not for the dare implied by Do What You Wish, Fantastica would be puny and limited to replicating the known human world. It would not be Fantastica at all. Therefore Do What You Wish is a dare and a challenge.
Do What You Wish is alternately translated as "Do What You Would," suggesting that hesitation and holding back on desire is against the will of Fantastica's Empress. The word "would" implies that one wishes but restrains for some reason. In Shakespeare's Macbeth, Lady Macbeth taunts her husband for "Letting 'I dare not' wait upon 'I would'", because that phrase--"I would"--implies a greater scope for desire than for action (Macbeth I.vii.41). Do What You Wish commands the holder of the Auryn to break through hesitation and act on the heart's truest desire, no holding back.
But Do What You Wish is also a trap--not laid by the Empress, but enabled by her power and the fallibility of human beings. If Bastian had retained his humility, he would never have fallen for Xayide's tricks, dismissed the stalwart Atreyu, or assailed the Ivory Tower. Just as the Childlike Empress makes no distinction between good and evil, predator and prey, in her domain, neither does she distinguish between "good" wishes and "bad" or self-serving wishes. It is because Bastian cannot face himself (unlike Atreyu in the Magic Mirror gate) that he loses his memories of being fat, uncoordinated, and weak. This in turn leads him to desire after desire for independence rather than interdependence. He chooses vassals over friends and power over wisdom, because his deepest fear is weakness. His wishes reveal his character. Only by allowing himself to embrace his weakness and dependence on others does Bastian regain his memories and his place in the human world. Do What You Wish is a safe command only for the purest of hearts. We can tell from the many inhabitants of the City of Old Emperors that humans routinely fail this test. The Empress grants the Auryn without judgment, but neither does she protect its wielders from the consequences of their own actions, the failures of their character. The Childlike Empress is too munificent to be entirely benevolent. She is as wild and wide-ranging as Fantastica itself, which is to say, as the human imagination. In no interpretation is Do What You Wish a consequence-free invitation. The wearer of the Auryn undertakes its command at their peril!
Each and all of these interpretations is supported by the German phrasing, the English translation/s, and the text of The Neverending Story itself. We can infer that Michael Ende would have narrowed the potential meanings by including further discussion between characters or through his own exposition. The fact that he leaves such interpretation open is likely intended to challenge the reader as it challenges Bastian himself. Desire is essential to creation, but can lead us to destruction if we forget who we are and what we love the most.
I hope this response is helpful. Please feel free to continue the discussion with me and with others!
Mark S.
What a wonderfully thorough analysis. The only thing I might add, or perhaps further flesh out, is to consider "Do What You Wish" as an invitation to uncover your true wish, the deeper desire embedded within all the others. Grograman the Many Colored Death explicitly tells Bastian this at the beginning of the second act. I don't think it is an incorrect interpretation that Bastian's experiences with AURYN are in part an allegory for the corrupting effect of unbridled wish fulfillment - Bastian does become a megalomaniac, after all. But I think that Ende is trying to tell us several things about imagination and the pursuit of our true wills, not just telling a cautionary tale about how a seemingly good child can become a despot when given ultimate power. One of these things is regarding Bastian's journey of good and bad wishes as inevitable and necessary, because all of it leads to his discernment of what he truly longs for - human connection. And his discernment is facilitated by following the path of his wishes, and also of stripping parts of himself away. As Grograman states, he has to go the way of wishes, from the first to the last. I believe what is meant by "last" is quite literal - meaning the final wish he can make, which causes him to forget his own name. The narrative makes it clear that using AURYN and making wishes is essential to Bastian finding his way back - particularly when he chooses to stop wishing and remains fixed in place in Fantastica. We see that Bastian's earliest wishes are shallow and self-serving, even the innocent ones, and are related to disconnecting himself from.... his actual self. As Dame Eyola remarks, he always wanted to be something other than what he was, but he never wanted to change. We are led to believe, I think, that this is partly because his early wishes - for power, beauty, courage, domination - are too distant from his true will, and so are actually perversions of that will. However, after he ends up in the City of Old Emperors we see a marked change in Bastian's wishes, and also even how those wishes are articulated or come to be. Increasingly, these wishes are about connection - he wishes for community, for others to understand and value him for who he truly is, and finally to love and accept himself for who he really is, without his Fantastican gifts. And these wishes are described in the narrative as being beyond what he intends or expresses consciously. They seemingly manifest from a need, a feeling. They are inevitable - a condition of his seeking his true wish. The foregone conclusion here is that in order to discern what he really wants he has to lose his memory and self. He is progressing towards a complete loss of ego, and while that means he is in danger of AURYN not being able to fulfill his wishes, this is also a necessary process for him in order to understand what he actually wants, to be capable of loving and of being loved. We are shown that Bastian's belief in his own inadequacy, which is actually the motivation for all of those wishes he made up to and when he attempted to crown himself emperor, is the principal barrier to his doing what he truly wishes. This is why, when he drinks the Water of Life, which tells him to "Do what you wish!" he is filled with the joy of being alive and of being himself. That is his true will. It's a beautiful treatise about being at peace with ourselves, which I believe is a principal theme of the story.06/05/21