Phillip C.

asked • 04/21/18

Bach's Prelude in C (BWV 846) Modulation

Bach's Prelude in C (BWV 846) _ the Bb notes at end are not a modulation to F Major because: 1) No perfect cadence in key of F 2) Are not enough Fs 3) F Major is composed of F,A,C and Bb is note one of the notes 4) Bnaturals contradict Bb 5) C bass note runs through the last bars. Choose all that apply.

Brian R.

tutor
Let's start by crossing out the obviously wrong answers: 2) there's no such thing as a minimum quantity of F's to qualify for a modulation to F major, and 3) an F major *triad* comprises F, A, and C, but Bb would be the fourth note of an F major *scale* (and so, it would be a full-fledged member of several chords in the *key* of F major. The other answers could be worded more precisely, but they seem to be the correct ones: 1) for music from the Baroque period, we would expect a modulation to be *confirmed* by a perfect authentic cadence; 4) the B-naturals in the following measure immediately restore us to the key of C major (which we've been expecting for *eight full measures* before the B-flats arrived); and 5) related to 1), although the Bb's make a V7 chord leading to the F major triad in the next measure, the C bass note destabilizes the F chord (putting it in -- gasp! -- *second inversion*, which we definitely can't end on) ... and it also supplies the first note of the scale that we expected to follow the eight measures of G in the bass before it.
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03/19/25

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