Hadi S.

I am making a song composition in a scale of G.I have already used major chords **G, C and D** and in some places I have used **Am, Em and Bm**.I would like to make this composition richer with... more

A note by itself is not always particularly pleasant to hear. Why do some specific combinations of notes make a good, pleasant melody? Why are some people good at coming up with such pleasing... more

I am classically trained and just started looking into jazz theory. I understand that the 2-5-1 progression is a good place to start. My basic understanding is to play the above progression with... more

Quite often there are pop songs wich get covered in a jazz style. These covers are seen from youtube to tv. Now I tried doing something like this, with for example Bad Day by Daniel Powter. It's... more

I was watching a video of SRV and one of the things that really stood out was the fact that he seemed to have a different iteration of the I-IV-V turnaround - and made it look/sound effortless. Any... more

The so-called Andalusian cadence occurs when one harmonizes the descending tetrachord from tonic down to dominant with I–♭VII–♭VI–V. Yet the progression ♭VI–♭VII–I seems just as common. It's... more