
When composing for oboe, how useful is it to think about recorder fingerings?
2 Answers By Expert Tutors

Aliya Z. answered 05/02/21
Master’s in Music Performance With 16 years of performance experience
Hello, It is possible to write music for oboe if you use a recorder fingering. Sometimes, I play music which is written for violin or flute even. One thing which should be in your mind is the range only. The best option is to write - from B flat 3 to F 6 .

Victoria H. answered 09/26/19
Music Education Major Oboist
Oboe fingering tend to be complicated no matter what. Trying to go off of a recorder won't help you at all, unfortunately. Things to keep in mind would be the range of the instrument. Generally oboes can play from B flat 3 (b flat below the treble clef) all the way up to A6 (two A's above the staff). BUT! That would depend on the oboist ability. Only very talented oboist can play all the way up the range of an oboe. I would try to keep oboes in the range of D4-D6. Another thing to keep in mind would be the key. Anything with C#/D flat can be tricky. The trickiest fingerings for oboes are C#-F#.
As for an oboe part in a metal band setting - that is extremely unheard off. But I would be very interested to hear that.
I know this might not be the most helpful, but seeing the music could be helpful to better help you. Or if you have any other specific questions please ask!
Still looking for help? Get the right answer, fast.
Get a free answer to a quick problem.
Most questions answered within 4 hours.
OR
Choose an expert and meet online. No packages or subscriptions, pay only for the time you need.
Emma T.
Hello! The basic fingering principles of the recorder are relatively similar to the oboe, (although more similar to the flute) but the oboe fingerings are a bit more complicated simply due to having more keys and a wider range. That being said, I wouldn’t worry about fingering when you’re composing. Ultimately the performer will figure things out themselves, but it’s nice to have your part checked by an oboist for ranges and ease of playing, etc. As far as microtones go, almost all contemporary oboists have a set of quarter tone fingerings (that unfortunately don’t all carry over to English horn). In a situation where you have lots of microtones I would absolutely ask the oboist to play when you have written because some microtonal fingerings don’t work for specific models of oboe. I’m not so sure if writing a tenor recorder part would be helpful. The range of the oboe goes from B flat 3 - somewhere between G and A 6 depending on the skill of the oboist but for ease of playing, I would write between C4 and F6. Orchestration wise, the lower notes (basically C4-G4) are difficult to get out, so I would avoid writing fast passages or quiet passages down there. With the top range, (A5 up) we have the opposite problem where the notes can’t be played very loud. The oboe also can’t be tongued as quickly as the clarinet because of the double reed, but slurs very well. I hope this helps!08/14/20