Do I have to prepare and resolve non-chord tones in certain ways?
I keep getting feedback from certain people on a classical music forum that I prepare and resolve my dissonances wrongly and that my counterpoint is off. And this is regardless of what type of classical music I am writing.\n\nIt is almost as though I am being told by Bach "these are all wrong, didn't you learn anything about this from your music theory studies?" as if I have to stick to baroque rules, even when writing a sonata or a waltz. This really frustrates me and I am thinking of not being on that forum anymore because of this. I mean, really, my style is neo-classicism and neo-romanticism. And my main composer influencer is Beethoven who I know broke the rules and pushed the boundaries a lot. \n\nAnd yet I keep being told that I resolve and prepare my non-chord tones wrong(such as for example doubling the chordal seventh). And really, does it matter how I resolve it if the notes are 16th notes or faster? Do I have to stick to the rules of Bach and Mozart when it comes to preparation and resolution of non-chord tones in my classical music compositions?\n\nI can't afford a music theory teacher which is why I have been watching videos online about music theory and more specifically classical harmony. But do I really have to stick to the rules of Bach and Mozart for preparations and resolutions of non-chord tones? Because that really restricts me away from Beethoven's style in my compositions and I can't do that.