Zac M. answered 04/09/20
Audio Designer and Producer with 15+ Years' Experience
Like Buzz mentioned earlier, there are a lot of answers to your question that really depend on the context and the style of music. Also as mentioned, orchestration books are the key to understanding all of this! I also use the Alfred Blatter Instrumentation and Orchestration book, as well as any others I can get my hands on.
To answer directly your three questions (without context of the actual music itself):
- As a general rule, any instrument can double any other on the same note, with varying degrees of success. A violin section and a trumpet can sound quite wonderful, depending on the phrasing, dynamics, and the range and register for both instruments.
- Counter melodies can sound quiet wonderful, but again, depends heavily on the context and the style of playing. I would say that trumpets below violins tends to be more prevalent, if for no other reason than because of their note ranges and registers.
- Similar to (2), trumpets below violins works well! Above violins can work well too, but you have to keep register of the trumpets in mind a lot more than if they were below.
To really drive Buzz's point home, orchestration books are AWESOME resources! And, while you are at it, I highly recommend either trying out some doublings live (if possible), or using a sequencer if you don't have any friends who play the instruments you want to try out.
Good luck, and have fun with it! Please feel free to add a comment if you would like more information or would like to clarify anything.