I don’t believe in teaching every singer the same way. Every student brings a different instrument, learning style, experience level, and set of goals into the room, so I begin by listening—both to the voice and to the student.
From there, I identify what is already working well and what may be getting in the singer’s way. One student may respond immediately to a technical explanation, while another understands the same concept better through imagery, movement, imitation, or simply hearing and feeling the difference. I adjust the language and exercises until we find the approach that connects.
I also want students to understand why something works rather than simply copying what I ask them to do. My goal is to give each singer tools they can eventually use independently, whether they’re preparing for an audition, developing their technique, working on repertoire, or simply becoming a more confident singer.