I studied music production and audio engineering at SAE Institute in Vancouver, where I developed a technical foundation that complements over two decades of hands-on experience producing music. My primary digital audio workstation is Ableton Live, a tool I’ve used extensively for recording, sound design, composition, mixing, and live performance. Throughout the years, I've released original music that has garnered over 100,000 streams across platforms, reflecting both creative growth and a...
I studied music production and audio engineering at SAE Institute in Vancouver, where I developed a technical foundation that complements over two decades of hands-on experience producing music. My primary digital audio workstation is Ableton Live, a tool I’ve used extensively for recording, sound design, composition, mixing, and live performance. Throughout the years, I've released original music that has garnered over 100,000 streams across platforms, reflecting both creative growth and a deep understanding of the digital music landscape. I’ve also composed for multimedia projects and worked with a music publishing company, Nagamo, that focuses on Indigenous representation in the media industry. These experiences have sharpened both my technical and collaborative skills in real-world settings.
My teaching and mentorship style is rooted in patience, adaptability, and enthusiasm. I’ve guided artists and aspiring producers through one-on-one sessions, helping them navigate creative blocks, learn DAWs, and refine their sound. Because I understand the unique learning curve of music production, especially for beginners, I approach each student as an individual—meeting them where they are and tailoring lessons to suit their goals. As an Indigenous artist, I also recognize the power of storytelling and identity in creative work, and I enjoy helping others find their voice through music. I aim to create a supportive space where experimentation is encouraged, and growth feels natural.
