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Doug C.

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Bio

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Chiang eventually joined Industrial Light & Magic as a creative director where he worked on films such as Terminator 2: Judgment Day (1991) and Forrest Gump (1994). In 1995, he was hired to lead Lucasfilm's art department;[3] he was the design director for Star Wars: Episode I – The Phantom Menace (1999) and Episode II – Attack of the Clones (2002).[5] Afterwards, he was a production designer on Robert Zemeckis' The Polar Express. Outside of film, he collaborated with...

Or is it? Your move...

Chiang eventually joined Industrial Light & Magic as a creative director where he worked on films such as Terminator 2: Judgment Day (1991) and Forrest Gump (1994). In 1995, he was hired to lead Lucasfilm's art department;[3] he was the design director for Star Wars: Episode I – The Phantom Menace (1999) and Episode II – Attack of the Clones (2002).[5] Afterwards, he was a production designer on Robert Zemeckis' The Polar Express. Outside of film, he collaborated with author Orson Scott Card on an illustrated science-fiction book called Robota.

He founded DC Studios[6] in 2000 with his creation, Robota, as a primary project. Along with Sparx Animation Studios in Ho Chi Minh City, he created several animated shorts depicting the world of Robota in action.

In 2004, Chiang co-founded Ice Blink Studios and worked for Zemeckis on Beowulf. Ice Blink closed in 2007, becoming the core of the facility for ImageMovers Digital, a pioneering performance capture animation studio.[citation needed]

Chiang returned to the Star Wars franchise as the concept artist for The Force Awakens as well as production designer for Rogue One. His other Star Wars includes the films Solo and The Rise of Skywalker, and the television series The Mandalorian and Obi-Wan Kenobi.[citation needed]

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Education

UCLA
Film Production

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Approved Subjects

Drawing

Drawing

In 1995, he was hired to lead Lucasfilm's art department;[3] he was the design director for Star Wars: Episode I – The Phantom Menace (1999) and Episode II – Attack of the Clones (2002).[5] Afterwards, he was a production designer on Robert Zemeckis' The Polar Express. Outside of film, he collaborated with author Orson Scott Card on an illustrated science-fiction book called Robota.
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Ratings and Reviews

Reviews

At a loss for words

What can I say about Doug C that hasn't already been said? Lying is probably a good bet. I just mean, if you think about it, what are the odds that whatever I make up about Doug will be the exact same thing someone else made up about Doug? I have a much better chance at saying something unique if I lie about him and say, for instance, that he was born on the moon, or that all the cars he owns are stolen.

Frank, 9 lessons with Doug
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