Cambridge Educated Tutor

Jeffrey G.

Composition (Music)

Jeffrey creates film music in a variety of styles ranging from symphonic to ambient and electronic to minimalist. Winner (Best Composer) and Winner (Best Soundtrack) in the 2021 Los Angeles Motion Picture Festival, Winner (Diamond Award) for Best Original Score at the 2021 Albuquerque Mindfield Film Festival, Winner (3rd Place) in the 2020 Academy of Scoring Arts (ASA) Short Liszt Op. 2 Two Hour Composing Challenge, Winner of the 2019 Akademia Music Award for Best Song (Ambient/Instrumental), Nominee in the 2017 American Songwriting Awards in the Instrumental category, Winner of the 2016 Akademia Music Award for Best Ambient/Instrumental Song, Winner of the 2015 Akademia Music Award for Best Instrumental/Acoustic Song, Winner of the 2013, 2012, and 2006 Best of State Awards for Original Music Composition, Winner of the Silver Medal in the 2011 Park City Film Music Festival, Winner of the Jury Choice Gold Medal for Excellence in the 2004 Park City Film Music Festival, and Semi-Finalist in the 2004 Moondance International Film Festival filmscoring competition, Jeffrey G's works have premiered at the British Academy of Film and Television Arts (BAFTA) Centres in Cardiff, Wales and in Piccadilly, London, on television in the U.K., on PBS television in the U.S., on the radio and at international film festivals. In 2005 he was invited to participate in the 19th Annual Sundance Institute Independent Producers Conference and the 3rd Annual Sundance Institute Theatre Program/Johnny Mercer Foundation Masterclass with composers and performers Melissa Manchester, Jimmy Webb, Michael Rupert, Margaret Whiting, Charles Strouse, Billy Stritch, and Don Rebic. He has had additional masterclasses with Academy award winner Hans Zimmer, film composer/orchestrator/arranger Conrad Pope (Star Wars, Munich, Memoirs of a Geisha), two-time Emmy award-winning film composer/arranger Hummie Mann (Robin Hood: Men in Tights, Year of the Comet), Academy award nominee Danny Elfman, multiple Grammy and Oscar-winning musical theatre lyricist and

Film

Jeffrey taught film and screenwriting for 7 years. Educated at Cambridge University, Westminster College, and the University of Utah, Jeffrey G. was a member of the Playwright's Group for more than three seasons, through the auspices of the Salt Lake Acting Company (which premiered Tony Kushner's Angels in America) under dramaturg Mike Dorrell (BBC's Soldier, Soldier, Pictures of a Floating World) and playwright-in-residence Julie Jensen (Two-Headed, Last Lists of My Mad Mother, Wait!). Jeffrey has pitched to Barrie M. Osborne (Lord of the Rings), Jordan Horowitz at Original Headquarters (La La Land, Counterpart), Mark Johnson at Gran Via Productions (Breaking Bad), Janet Wu (Moana) at Netflix, Chris Kuser at Dreamworks Animation (MegaMind), Beth Swofford (CAA), Rob Kenneally (CAA), and Christopher Lockhart (William Morris Endeavor). He has had playwriting and screenwriting masterclasses with Robert McKee (Story), Aaron Sorkin (A Few Good Men), David Mamet (Glengarry Glen Ross), Robin Swicord (Memoirs of a Geisha, The Curious Case of Benjamin Button), Meg LeFauve (Pixar's Inside Out, The Good Dinosaur), Lindsey Doran (Sense & Sensibility, The Firm), Gerald DiPego (Phenomenon), Ben Ripley (Source Code), Jack Epps, Jr. (Top Gun), Keith Gordon (Homeland, Mother Night), Barry Schkolnick (Law & Order), and Jon Jory (Actors Theatre of Louisville), among others. His plays IN THE PURSUIT OF SVETLA, HORST AND GRABEN IN THE CONTEXT OF THE UNFINISHED MAN, FITCH TODD, PERCOLATION THEORY, DEDEKIND, HORST AND GRABEN AT THE CHATEAU GODOT, EXECUTION AT PARADAIS ISLAND, DISPLACEMENT: A FISH IN WATER STORY, FAIR SHAKE, FUTURE PERFECT ("The Russian Play"), A COLD NIGHT FOR A DIVA, PURCHASE, CHAMPAGNE FOR CHEKHOV, and screenplays and teleplays THE LEAVING MAN, STEEN'S FOLLY, KLIEG LIGHT, QUANTUM DREAMS, and SNOWFLAKE OBSIDIAN have garnered numerous awards, readings, and productions. FAIR SHAKE was selected for the 2013 Smith & Kraus anthology The Best Ten-Minute Plays. THE CLERK was an Official Selection in the 2020 Short+Sweet

Songwriting

Jeffrey creates film music in a variety of styles ranging from symphonic to ambient and electronic to minimalist. Winner (Best Composer) and Winner (Best Soundtrack) in the 2021 Los Angeles Motion Picture Festival, Winner (Diamond Award) for Best Original Score at the 2021 Albuquerque Mindfield Film Festival, Winner (3rd Place) in the 2020 Academy of Scoring Arts (ASA) Short Liszt Op. 2 Two Hour Composing Challenge, Winner of the 2019 Akademia Music Award for Best Song (Ambient/Instrumental), Nominee in the 2017 American Songwriting Awards in the Instrumental category, Winner of the 2016 Akademia Music Award for Best Ambient/Instrumental Song, Winner of the 2015 Akademia Music Award for Best Instrumental/Acoustic Song, Winner of the 2013, 2012, and 2006 Best of State Awards for Original Music Composition, Winner of the Silver Medal in the 2011 Park City Film Music Festival, Winner of the Jury Choice Gold Medal for Excellence in the 2004 Park City Film Music Festival, and Semi-Finalist in the 2004 Moondance International Film Festival filmscoring competition, Jeffrey Gold's works have premiered at the British Academy of Film and Television Arts (BAFTA) Centres in Cardiff, Wales and in Piccadilly, London, on television in the U.K., on PBS television in the U.S., on the radio and at international film festivals. In 2005 he was invited to participate in the 19th Annual Sundance Institute Independent Producers Conference and the 3rd Annual Sundance Institute Theatre Program/Johnny Mercer Foundation Masterclass with composers and performers Melissa Manchester, Jimmy Webb, Michael Rupert, Margaret Whiting, Charles Strouse, Billy Stritch, and Don Rebic. He has had additional masterclasses with Academy award winner Hans Zimmer, film composer/orchestrator/arranger Conrad Pope (Star Wars, Munich, Memoirs of a Geisha), two-time Emmy award-winning film composer/arranger Hummie Mann (Robin Hood: Men in Tights, Year of the Comet), Academy award nominee Danny Elfman, multiple Grammy and Oscar-winning musical theatre lyricist a

Theater

Jeffrey Gold Award-winning Screenwriter | Playwright | Film Composer | Producer Educated at Cambridge University, Westminster College, and the University of Utah, Jeffrey G. was a member of the Playwright's Group for more than three seasons, through the auspices of the Salt Lake Acting Company (which premiered Tony Kushner's Angels in America) under dramaturg Mike Dorrell (BBC's Soldier, Soldier, Pictures of a Floating World) and playwright-in-residence Julie Jensen (Two-Headed, Last Lists of My Mad Mother, Wait!). Jeffrey has pitched to Barrie M. Osborne (Lord of the Rings), Jordan Horowitz at Original Headquarters (La La Land, Counterpart), Mark Johnson at Gran Via Productions (Breaking Bad), Janet Wu (Moana) at Netflix, Chris Kuser at Dreamworks Animation (MegaMind), Beth Swofford (CAA), Rob Kenneally (CAA), and Christopher Lockhart (William Morris Endeavor). He has had playwriting and screenwriting masterclasses with Robert McKee (Story), Aaron Sorkin (A Few Good Men), David Mamet (Glengarry Glen Ross), Robin Swicord (Memoirs of a Geisha, The Curious Case of Benjamin Button), Meg LeFauve (Pixar's Inside Out, The Good Dinosaur), Lindsey Doran (Sense & Sensibility, The Firm), Gerald DiPego (Phenomenon), Ben Ripley (Source Code), Jack Epps, Jr. (Top Gun), Keith Gordon (Homeland, Mother Night), Barry Schkolnick (Law & Order), and Jon Jory (Actors Theatre of Louisville), among others. His plays IN THE PURSUIT OF SVETLA, HORST AND GRABEN IN THE CONTEXT OF THE UNFINISHED MAN, FITCH TODD, PERCOLATION THEORY, DEDEKIND, HORST AND GRABEN AT THE CHATEAU GODOT, EXECUTION AT PARADAIS ISLAND, DISPLACEMENT: A FISH IN WATER STORY, FAIR SHAKE, FUTURE PERFECT ("The Russian Play"), A COLD NIGHT FOR A DIVA, PURCHASE, CHAMPAGNE FOR CHEKHOV, and screenplays and teleplays THE LEAVING MAN, STEEN'S FOLLY, KLIEG LIGHT, QUANTUM DREAMS, and SNOWFLAKE OBSIDIAN have garnered numerous awards, readings, and productions. FAIR SHAKE was selected for the 2013 Smith & Kraus anthology The Best Ten-Minute Plays. THE CLERK was an Official Sel

Writing

Educated at Cambridge University, Westminster College, and the University of Utah, Jeffrey Gold was a member of the Playwright's Group for more than three seasons, through the auspices of the Salt Lake Acting Company (which premiered Tony Kushner's Angels in America) under dramaturg Mike Dorrell (BBC's Soldier, Soldier, Pictures of a Floating World) and playwright-in-residence Julie Jensen (Two-Headed, Last Lists of My Mad Mother, Wait!). Jeffrey has pitched to Barrie M. Osborne (Lord of the Rings), Jordan Horowitz at Original Headquarters (La La Land, Counterpart), Mark Johnson at Gran Via Productions (Breaking Bad), Janet Wu (Moana) at Netflix, Chris Kuser at Dreamworks Animation (MegaMind), Beth Swofford (CAA), Rob Kenneally (CAA), and Christopher Lockhart (William Morris Endeavor). He has had playwriting and screenwriting masterclasses with Robert McKee (Story), Aaron Sorkin (A Few Good Men), David Mamet (Glengarry Glen Ross), Robin Swicord (Memoirs of a Geisha, The Curious Case of Benjamin Button), Meg LeFauve (Pixar's Inside Out, The Good Dinosaur), Lindsey Doran (Sense & Sensibility, The Firm), Gerald DiPego (Phenomenon), Ben Ripley (Source Code), Jack Epps, Jr. (Top Gun), Keith Gordon (Homeland, Mother Night), Barry Schkolnick (Law & Order), and Jon Jory (Actors Theatre of Louisville), among others. His plays IN THE PURSUIT OF SVETLA, HORST AND GRABEN IN THE CONTEXT OF THE UNFINISHED MAN, FITCH TODD, PERCOLATION THEORY, DEDEKIND, HORST AND GRABEN AT THE CHATEAU GODOT, EXECUTION AT PARADAIS ISLAND, DISPLACEMENT: A FISH IN WATER STORY, FAIR SHAKE, FUTURE PERFECT ("The Russian Play"), A COLD NIGHT FOR A DIVA, PURCHASE, CHAMPAGNE FOR CHEKHOV, and screenplays and teleplays THE LEAVING MAN, STEEN'S FOLLY, KLIEG LIGHT, QUANTUM DREAMS, and SNOWFLAKE OBSIDIAN have garnered numerous awards, readings, and productions. FAIR SHAKE was selected for the 2013 Smith & Kraus anthology The Best Ten-Minute Plays. THE CLERK was an Official Selection in the 2020 Short+Sweet Theatre Festival Sydney, where it was produced, an