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These days I'm having so much fun living the dream!  While doing phone interpretations today in Spanish/English and allowing my latest intern Alaina to shadow me (a whole new way to look at tutoring), she asked:  "When we're listening to the clients, I still don't always know what they're saying?  When did you finally start just getting it when you were interpreting?"   I shared with her, smiling, that my first in person interpretation was ROUGH.  But to answer her question more directly, from my 20 years experience vantage point, I couldn't remember exactly HOW I finally got over the hump.    As I thought back, I could remember that it has a lot to do with smiling, laughing, being personable, and LOVING THE PEOPLE AND CULTURE you are interpreting.  I also recommend finding a close friend (and perhaps even better boyfriend/girlfriend) to get to know up close in your target language.    The most important... read more

One of my guitar students majored in Drama in college.  As I progress with her lessons, it is increasingly apparent that many approaches to playing music have a lot to do with what she knows as an actor.  One example would be that, much like how any script contains lines more expressive or, arguably, more representative of the plot's importance, musical compositions beg that certain notes, phrases, or harmonic motion be brought to the fore.  Much of the responsibility of both the actor and musician, then, is to study how lines and music may contain human emotion.  Not only that; the artist must make an evaluation of how the work means to create a sense of discourse and then, of course, adhere to those rhetorical conclusions.  I would be happy to discuss this and many other ideas over email and, hopefully, in private lessons.  Thanks!

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